Periodic musings on the making of instruments and music
This year at Wintergrass in Bellevue, Washington was the first time I've put my instruments out there for the public to see, play and comment on. I learned a lot from the other builders and musicians, and played some good tunes with old and new friends who stopped by the booth. As you can see in this post from Mandolin Cafe, the general feeling was very positive as a big variety of musicians, young and old, beginner to pro, picked up and played these new mandolins. The big surprise for me was the Douglas Fir "Firewood" topped mandolin I brought. At first I wasn't so sure it would sing out like the other ones, but after just a little playing it started to come alive with a real voice of it's own. We got to see some music at Wintergrass as well as hanging out in the booth.
On the top of my list was the sublime evening concert by the David Grisman Sextet. I must note all the amazing musicians... Jim Kerwin on bass. His solid rhythmic foundation, beautiful tone and clear, story-telling solos are a joy to hear. George Marsh on percussion, laying it down, right in the pocket, making it look so cool and easy with just enough emotional enhancement to let the others shine. Grant Gordy on guitar, focusing his eyes and energy directly on the band leader, playing off and around David Grisman's clear stage directions while exploring his own territory clearly and individually. Mike Barnett on some of the most expressive fiddle you can hear anywhere. Matt Eakle with a smooth, round, tone on his flute that expressed joy in every note. And between those beautiful notes, sending out the good vibes in all directions. I hope people realize just how clean and tight these guys are and it's all because of the great song writing, arranging and leadership of David Grisman. This is craftsmanship at it's highest level.... I love this band.